Fiore Getty ratio = 0.66
Fiore Florius ratio = 0.66
Fiore PD ratio = 0.74
Vadi ratio = 0.66
The average ratio comes to 0.68.
Of note is that it is the Pissani-Dossi that shows the greastest ratio, not Vadi, which I expected given Vadi's instructions for sword length - ground to armpit. On me (6' tall) that creates a sword which is 54" overall, creating a ratio of 0.75 - so that fits.
Again, I am 6' or 72" tall. If the average ratio, based on the illustrations is 0.68 then my "ideal" sword would be:
72" x 0.68 = 48.96"
Let's look at some of the swords I've used for training:
A&A Fectherspiel - 48.5" overall
A&A Spada di Zogho - 46.5" overall
Albion Liechtenauer - 47.5" overall
Tinker Longsword - 47" overall
Purpleheart waster - 48" overall
I just found it interesting that, contrary to some assertations given in the SFI thread, many of the reproduction trainers available today are proportionally correct for a person of "average" modern height.
NOTE: I know that the illustrations are not exact and it is a mistake to take them as photographs, but they are not drawn by complete amateurs either. Given that several samples from the guards and plays yielded extremely similar (i.e. more consistent than I can draw) sword & figure lengths, it is also a mistake to discount the illustrations (and the illustrators).
LINK TO PART I
A&A Fectherspiel - 48.5" overall
A&A Spada di Zogho - 46.5" overall
Albion Liechtenauer - 47.5" overall
Tinker Longsword - 47" overall
Purpleheart waster - 48" overall
I just found it interesting that, contrary to some assertations given in the SFI thread, many of the reproduction trainers available today are proportionally correct for a person of "average" modern height.
NOTE: I know that the illustrations are not exact and it is a mistake to take them as photographs, but they are not drawn by complete amateurs either. Given that several samples from the guards and plays yielded extremely similar (i.e. more consistent than I can draw) sword & figure lengths, it is also a mistake to discount the illustrations (and the illustrators).
LINK TO PART I
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